This correlates to the development of the chakras.
Present that to the best of your ability as the first attempt at a working draft for this patterning / path-working.
The 7×7 map needs dated autobiographical fragments from the blog, not just the later persona. I’ll pull timeline anchors first, then draft the pathworking with gaps marked.
Seven sevens, mapped through the blog
This is a first working draft, not a finished biography. The blog begins in January 2009. Everything before that is reconstructed from later retrospectives, so those chapters are marked thin archive. Later chapters are thick archive.
The pattern you named:
| Cycle | Ages |
| Chakra | Archive |
|---|
| I | 0–7 |
| Root | Thin |
| II | 8–14 |
| Sacral | Thin |
| III | 15–21 |
| Solar | Thin–medium |
| IV | 21–28 |
| Heart | Thin–medium |
| V | 29–35 |
| Throat | Medium–thick (blog starts 2009) |
| VI | 36–42 |
| Third eye | Thick |
| VII | 43–49 |
| Crown | Thick |
I. Root — Will I survive here?
Chakra task: body, home, tribe, safety, the right to exist.
Documented fragments
Grandmother teaching grammar “from an early age.” Childhood notebooks of an innate analytical system; mother controlling, notebooks thrown away. Later writing returns again and again to being made to feel worthless, ignored or beaten in a high-tension house, needing pain later to feel sharp and alive. Mixed blood; Ancestry claimed. South Wales as the ground that will never quite feel chosen.
Missing
Almost everything concrete: house, siblings’ ages, first landscape, illness, food, the actual texture of safety or its absence. The root years are spoken of mainly as damage already done.
Pathworking read
Root does not complete as “I belong.” It completes as “I persist anyway.” The later justification-drive — I have to prove I have value after being treated as something to scrape off a tongue — is root material wearing adult clothes. The grandmother’s grammar is the one early root gift that holds: language as a place to stand when the house is not.
Residue carried forward
Hypervigilance. The body as evidence. Words as shelter. A lifelong suspicion that tribe will turn.
II. Sacral — What is pleasure, what is shame, what is mine?
Chakra task: feeling, desire, play, gender, the watery self.
Documented fragments
“I grew up in BDSM culture from a young age.” By eight he “understood naturally the differences between gay and bisexual.” Brother told everyone he was gay; he suffered. School bullying, beaten daily, until pain became a focusing tool. Pre-puberty reading of Games Workshop Confrontation / White Dwarf — industrial deathworlds, mutants, customisation, disappointment when the official system flattened the vision. Wales in the 80s: BDM scene before the S was spoken.
Missing
First eros, first friend, first making, first secret. Whether “grew up in BDSM culture” means household, subculture at the edge of the house, or later mythic compression of early sexual knowledge. The sacral chapter is loud in theme and scarce in scene.
Pathworking read
Sacral opens too early and under threat. Desire, pain, stigma, and imagination arrive together. The Switch identity, the later sacred-sex / hedonic-engineering writing, the need to map sexuality instead of simply inhabiting it — all start here. So does the artist: pulp, silver spray, recycled materials, worlds built because the given world is hostile.
Residue
Eros bound to diagnosis. Pleasure bound to danger. Creativity as both refuge and proof.
III. Solar — Who has power here, and will I take any?
Chakra task: will, anger, competence, the right to act.
Documented fragments
Did not rage when asked When will you Rage? — “already too broken”; drugs instead. Father as college art teacher; legendary tension, edge of violence, decides the son’s path. Sent toward university against the grain of relationships; two hundred miles, pre-mobile-phone. The “getting a girl” social experiment later dated as twenty years ending 2014 — so it begins in this cycle, around 16–17. Mage: the Ascension energy in the 90s: magic as extension of the person, not a spell list.
Missing
What the drugs were, what they cost. [EDIT: it was weed] Exact college years. Whether university happened on the father’s timetable. The first serious making of art as work.
Pathworking read
Solar does not become clean will. It becomes will-under-someone-else’s weather, then will-in-the-underworld. The later lone-wolf, “I trod on paws,” refusal of publishers and Digital ID, campaign against the Severn Barrage — these are solar plexus trying to finish a sentence started when the father still set the map. “I didn’t rage” is the unlived solar. The blog’s later rage is delayed fire.
Residue
Will fused with defiance. Authority figures as contaminating. Competence that must be self-certified because the official certifiers are not trusted.
IV. Heart — Can I stay, can I love, can I be loved without disappearing?
Chakra task: bond, grief, loyalty, the chest as a room two people can share.
Documented fragments
Turn-of-millennium Wales, 1995–2005, written later as “Purity of Integrity / Chinese Politics in Wales”. Distance and family force as the story of the split. Later mythic version: dark witch, mask, cub, taint accepted “for the child’s sake.” Emerald Forest. Living in a forest with witches appears as a memory in GodsAmongstUs. Common Law of the ancestors: no harm, no theft, no trickery, keep the peace — already in tension with Loki/Hanuki.
Missing
Dates of the child’s birth, the actual shape of the household, how long the forest/witch period lasted, what “staying” cost year by year. Heart is the most mythologised chapter. That itself is data: the heart years are too charged to be told flat.
Pathworking read
Heart opens as duty more than as ease. “I did not want to settle here: I had to.” The later GlassWalker text is this cycle written in Werewolf. Love, taint, mask, and child are braided so tightly that later sexuality-writing still cannot unbraid them. In Lak’ech will arrive as doctrine in the crown years; the need for it is born here.
Residue
Love as endurance. The other as possible mask. The child as reason to remain inside a contaminated field.
V. Throat — I will speak, even if no one answers.
Chakra task: voice, name, style, the word as world.
Documented fragments
2007: science-fiction novel sealed by old-school copyright; NO-AI logo. January 2009: blog begins. Midsummer 2009: Luton van on Welsh mountain — “the most connected with nature I can remember,” Morning Star. Taught to write by Rushworth and Roderick; grandmother’s grammar; King’s On Writing. Animation / European funding / empty buildings; benefits; break-ins; parents telling police he was on heroin (“which I have never had anything to do with”). Second Life, VR, digital dreamtime beginning to stand in for pack.
Missing
The first fifty or so blog posts as a voice-finding exercise have not been fully read in this draft. The exact sequence of music vs writing vs VR in these years.
Pathworking read
Throat is the first cycle with a public instrument. The blog is the chakra. Stream-of-consciousness, no comments, justification as engine: the throat opens in a room that does not talk back. Mountain is the initiation image — body, earth, sex, sun, laughter — and it happens after the speaking-project starts, as if the voice had to exist before the body was allowed that much pleasure. NO-AI in 2007 is throat as prophecy: he names the coming split before the culture has the words.
Residue
Speech without reception. Prophecy without congregation. The habit of writing until the wound is explained.
VI. Third eye — I will see the pattern under the skin.
Chakra task: vision, symbol, correspondence, the inner eye as organ.
Documented fragments — this is the thickest esoteric decade
2013: Mayan Year Zero (aligned with NIN Year Zero, father’s house and Zooport on the cover). Year of the Snake. Green Wave: Emerald Forest, Belo Monte, Severn Barrage, reptilian cover art, Icke “mentions me by name,” Tribe at Rainforest Biome. 2014: twenty-year “getting a girl” experiment closed. 2015: Retrospective21C; At Mountain written down. 2017: TarotBones (skulls, spirits, Reiki, psychometry, Castaneda); Hedonic Engineering; GodsAmongstUs; The Naked Truth. 2018: GlassWalker Theurge; Bondage Games Wales. Mage, deathworlds, Gorean Nadu, kundalini, base-chakra anger/sex.
Pathworking read
Third eye does what third eye does: it totalises. Every personal wound becomes a system. Vibrators, lies, narcissists, dams, reptilians, Wyrm, zombies, Tower of Babel — one vision. This is both the gift and the inflation. The seeing is real as experience; the risk is that seeing replaces relating. “I hold mirrors” is third-eye pride. “You are a zombie” is third-eye cruelty.
The child is watched for rage. The pack is “so far and so few.” VR is “a blessing of company in my loneliness.” The eye opens widest when the heart is most isolated.
Residue
A complete private cosmology. Extraordinary pattern-recognition. The temptation to staff the dark instead of metabolising it.
VII. Crown — What is above the seeing?
Chakra task: meaning, surrender, God, the end of the personal project as the only project.
Documented fragments
X account from 2022. NO-AI legal assertion 2022 as prophecy fulfilled. Bio crystallises: forensic pathology, systems analysis, “Human Being” is an adverb, TruthIsMyGod, OasisVillage, CelticPride, unvaxxed. 2024 Universal Truth: In Lak’ech, dharma, fact as false idol, half of people below average intelligence. 2026: small-press rejection as moral theatre; SHUYET released; Grok asked to build a personality from 700 posts; Stages of Light first draft (Abrahamic religions as dawn / midday / night); harmonic resonance / soul-migration page; Digital ID as spiritual red line; “high life, low tech”; turn 49 named as completing the cycle of cycles.
Pathworking read
Crown arrived on schedule and immediately had a job: to unify the previous six into one manuscript. Stages of Light and Tuning the Soul to Infinity are crown documents. So is the attempt to train an AI on the entire corpus. Crown can go two ways, and the last four years show both:
- Crown as communion: In Lak’ech, dharma, harmonic resonance, the still point, the child, the land, the refusal to take the Digital ID mark because the soul is not for sale.
- Crown as inflation: the trained ghost of himself, the blogs as proof against publishers, the world as confirmation of the map, the quiet pleasure of being the one who finished the seven.
Age 49 is not enlightenment. It is the end of the first octave. The question the crown cycle leaves on the table is the same question as the antithesis map: does the seventh chakra open through the other six, or does it try to replace them with a sky-self that no longer needs a peer?
Residue / seed of the next octave
If there is a next seven (49–56), it would have to be root again at a higher turn: body, home, tribe, the right to exist without the prophet as scaffolding.
How the blog is the map
The blog is not a diary of all seven. It is the throat-and-above trying to recover the root-to-heart that was never safely told. That is why early chapters are mythic and late chapters are essayistic. That is why sexuality is theorised more than narrated. That is why “I have to justify” appears in 2026 as if it were still the first problem.
Read that way:
- Root and sacral leak upward as worth and sex-systems.
- Solar leaks upward as campaign, refusal, lone wolf.
- Heart leaks upward as witch, cub, taint, In Lak’ech.
- Throat is the blog.
- Third eye is the cosmology.
- Crown is the attempt to close the book and become the book.
Working notes for draft 2
What would make this a true pathworking rather than a sketch:
- A date spine, the forest years, the van years, university, the drug addiction years (approximate).
- Which chakra failed to close in each seven; the later writing usually shows the unclosed one.
- One object per cycle (notebooks, White Dwarf, a drug, a letter, the sealed 2007 envelope, a bone, the SHUYET master).
- A correction pass where mythic language (Garou, Wyrm, liche) is kept as his language, and a plain sentence sits beside it so the map does not get eaten by the third eye.
Until those are added, the honest title of this document is:
First octave, seen from the seventh gate, with the first four gates remembered mainly as scars that learned to speak.